After last year’s explosive anger New order, Prolific Mexican director Michel Franco Back to Venice Film Festival When sunsetA minor key story of a man who decided to abandon his life in favor of drinking drinking with a drunk and cheerful local woman at Acapulco.This is my second collaboration with a British actor. Tim Roth A vague and irresponsible person who plays Neil and masters getting into a hammock with the ease of use of a backpacker. Charlotte Gainsbourg Neil’s sister is his nervous counterpoint.
It’s clear enough that Alice Gainsborough’s Alice Bennett is permanently and firmly wired. During her vacation with Neil and her two teenage children, Colin and Alexa (Samuel Bottomley and Albertine Cotting McMillan), she can’t leave her cell phone alone. Cocktails are served in the suite from the morning, but she also slips off strange pills. It turns out that she runs a family business, a meat company that includes farms and slaughterhouses, as well as the manufacturing industry. Neil rides together as a business partner and to spend the vacation with others.
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So they are a happy family and obviously each is happy with their lot. Or are they? We know that Neil loves Alice’s children. Because he can say so unaffected at all. It is questionable how he feels about someone else. When the news comes that her mother is hospitalized, Alice is distraught and immediately orders her children to pack up to go home. As you might expect, Neil is lined up in a row, but when he tells him that his mother has died on his second phone call, he seems to be barely moving. By the time they arrive at the airport, high-flying executive Alice is sadly hysterical.
It was then that Neil told everyone that he had forgotten his passport. He can’t fly. He will come as soon as possible. Except he doesn’t. He travels to a cheap hotel next to a public beach, orders a bucket full of bottled beer, and bites fat with a dubious character who takes the next deckchair, even if there is little common language. Berenice (Iazua Larios), who works at a local store that buys the last beer every night, is friendly. Friendly is okay with him. She joins him and is a source of simple, plump warmth. Alice calls many times, is confused and furious. Neil puts his cell phone in the drawer.
His reason will become clear little by little, but you’re probably guessing what’s going on by the time you’re told. What Franco is doing very well is telling the details around the edge of his story, which is a small story in itself. There’s a shocking random shoot on the beach, followed by music and beer delivery as if nothing had happened.
It’s soothing to see the boys jumping off the cliffs into the ocean and entertaining the guests of the affluent resort. It’s all part of the service. After Neil’s independence, even the endless shrimp plates served at Neil’s favorite cheap beach restaurants begin to be overwhelmed. The mix of edgy and overkill is unpleasant for first-world tourists who have gone to countries like Mexico and enjoyed vacations that are never available at home. is. We are all part of that picture.
Of course, Neil isn’t going to escape in his beachcomber fantasy. The rope of fate mercilessly tightens around his burnt neck. The family should not just let him escape. Neither is Acapulco, with the division of obscene wealth and violence. More tragedy awaits. This is a fragment of the story, which is quickly told, but when you close your eyes, you get tired of looking at the sea and remain behind your eyelids like black dots.
“Sunset” – Venice Film Festival Review – Deadline
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