Exclusive: NS Venice Film Festival And its festival director Alberto Barbera It’s a whisper of the award.
For the past decade, Venice has hosted the launch of magnets with the following awards: Nomads [co-launched with TIFF], Joker, Star Birth, Marriage Story, Water Shape, Three Billboards, Three Billboards, Favorites, Rome, La La Land, Arrivals, Spotlights, Birdman When gravity.
In the middle of the event, we sat down with festival head Barbera to discuss hits so far, surprises to come, acclaimed reviews and why there were so many Covid protocols and tests. The festival was not all a simple voyage. It is also involved in ticketing issues, which are a huge headache for journalists and organizers.
Related story
“Mona Lisa and Blood Moon” team becomes “outsider” and “warrior”-Venice
What do you think of the festival so far?
I am very happy to be back in the lineup and Venice and make people look very happy. However, there are still limits to be addressed. Covid’s 50% cinema capacity is a big issue if you have twice as many representatives as in 2020. Last year, there were about 6,000 certified guests. There are 10,500 people this year. This caused problems with ticket access and booking systems. Last year there were no of these issues.
Can you show more?
That was impossible. We use all the theaters in Lido, Venice and Maestre. No additional screens are available. This is the problem …
But isn’t this a supply and demand issue, not a technical issue?
AP
do not know. Why can’t hundreds of people reserve seats at the same time? People are working crazy trying to solve problems. It’s getting a little better now and should get a little better during the week.
In terms of this success, I wasn’t surprised at all because I knew that the lineup was extensive and that some people would come back to the festival. .. But I didn’t expect so many people to attend the festival. But this is not an explanation for the failure of the booking system, but an unexpected one.
At the beginning of the festival, I can’t remember this positive reaction from critics to many films. It’s mainly here, but I also noticed it from Telluride. What do you put it in? Is it just a happy coincidence and a great quality movie? Or are there other factors, such as big film delays, critics coming back to major film festivals and getting excited and wanting to support independent films? Do you think the thirst for clicks on social media and the desire to kickstart the award topic are a factor in many rave?
No, I think this year is an exceptional year in terms of quality. I can’t remember having been in the same situation for the last 10 years. I saw so many good movies during the selection process that I didn’t know how to handle them. We had to turn down some movies that we would be happy to invite in a normal year. This year is an exceptional year. but why? I’m confused. Of course, some movies are suppressed, but they still can’t explain the high level of quality. Here is the director who has made the best movies over the years.
Two of the movies that worked very well with critics in the first two days were Netflix movies: Jane Campion’s The power of dogs And Paolo Sorrentino God’s hand.. Have you seen the quality of Netflix movies evolving over the years?
Generally speaking, I think everyone is betting on quality. We know that the platform plays a bigger role in the production environment. As we get out of the pandemic, we will face a whole new and different landscape. The relationship between the platform and the industry is the opposite. Currently, there are numerous platforms led by the major players in the market. Netflix, Amazon, Apple, Disney, Comcast, Warner Bros, they’re all betting on streaming …
Do you still have an Apple movie?
Not this year.Last year was a little more [Sofia Coppola’s On The Rocks] But they decided not to come after all …
Of course, you can also benefit from the split between Cannes and Netflix …
Of course, absolutely …
Netflix is a big supporter of filmmaking. But it’s still a bit ironic to see many posters around the festival for home entertainment services Netflix and Sky Cinema …
Joe Uchichi / Deadline
Yeah, but what’s the difference between Netflix today and other major studios? The difference is very small. In the future, the difference will be completely gone. The Solentino and Jane Campion films have an exclusive theater window for weeks. It’s not possible to predict the landscape accurately, but I think it benefits everyone. The competition is in terms of content. A lot of money is invested in different types of content. Consumers also win.
Netflix, of course, wants to work prominently in award-season races, like all studios. You and Venice have been the award whispers in the last decade. What is the best work award candidate of the year in your mind?
It’s hard to say because there are so many good things this year, but many have a chance …
Do you think Dunes Are you an Oscar candidate?
I would be very surprised if it wasn’t included in the nominated movie. surely…
When Spencer Star Kristen Stewart Best Actress?
of course…
Can Paolo Sorrentino be in the best foreign language category?
definitely…
His new film potentially creates a new Italian star in the form of 21-year-old actor Filippo Scotty (probably Timothée Chalamet of Italy) …
[Laughs] absolutely. Italy has a new generation of actors and a new generation of filmmakers. There is an ongoing refurbishment process. There are five Italian films in the competition, each very different, and these films have many new actors. A movie that allows you to travel abroad.
Yes, this festival generally has something like a wave of youth. Sharamet, Zendaya, Scotty, Milena Smit, Anya Taylor-Joy, Benjamin Voisin, Jeon Jong Seo and more. It’s exciting …
that’s right…
Penelope Cruz talked about festivals that take the protocol seriously and the need to respect them. You and the actor have found themselves very enthusiastic about wearing masks while in the auditorium. This is in contrast to Cannes, where the festival is more relaxed, for example, about the talent of wearing masks in the cinema at certain times and the festival executives. Was it a conscious decision?
absolutely. I did the same thing last year, and I am very grateful that people feel safe and secure. We have more people than last year, so we are not taking any risks. I wasn’t in Cannes so I can’t talk about it. I couldn’t go because I had closed my selection. But in that sense, I heard rumors that I was a little more relaxed.
Have you ever had a positive Covid test at the festival?
I don’t know one.There is an update today [Monday].. I think there were two positive tests, but after the second test they were false positives. The situation is very controlled. According to our survey, 90% of certified guests are double vaccinated, which is higher than the general public.
Give us a movie that might surprise us next week.
Venice Film Festival
There are numbers.Filipino movie by Eric Matty At work: Missing 8 People are surprised. It’s the same Friday as Ridley Scott. Both movies are quite long. Gabrielle Mainetti Freaks out…
Yes, I’ve heard good stories about this movie from the Italian journalists and industry I talked to …
Yes. It’s not a perfect movie, but the director’s range and ambitions are incredible. He’s a young filmmaker, but his ambitions are on par with Spielberg, Fellini, Leone … he did it all himself. It took a long time to shoot and edit, and I collected my own budget and exceeded the budget considerably. You may or may not like the movie-it depends on your personal taste-but you can’t be impressed with the filmmaker and his approach.
There are many popular movies. Given the recent rise in quality and buzz, does Venice feel a bit far from other autumn festivals?
A few years ago there was fierce competition between Venice, Toronto and Telluride. Ten years ago, Toronto was the most important date on the autumn festival calendar. I feel that the festival is well-balanced now. Perhaps Venice is in an even better position as we come first and the amount of media from around the world means we can provide a truly global platform. This is a great opportunity for the studio to reach internationally. North American market. I am confident that Venice will maintain this position.
Last year you were rewarded with an additional four-year term. What do you want to achieve with the next three editions?
It was a long project. I started working when I returned to Venice 10 years ago. I wanted to change my profile and renew the festival. In a sense, we have succeeded in doing that. Over the next three years, we need to integrate and make some improvements. With growing demand here, we would like to open two new theaters, one on the third floor of the casino and one like the red cube in the yard. These will be implemented next year.
I wish the classical music was back at the festival …
Once the pandemic is gone, it’s back …
And a wonderful archive exhibition about the history of the festival …
Yes, I want to, but it’s a space issue. Due to structural safety concerns, Hotel Des Bains is no longer available. But we are thinking about a new place.
Venice’s Alberto Barbera “Dunes” and Kristen Stewart’s Oscar Chance-Deadline
Source link Venice’s Alberto Barbera “Dunes” and Kristen Stewart’s Oscar Chance-Deadline
The post Venice’s Alberto Barbera “Dunes” and Kristen Stewart’s Oscar Chance-Deadline appeared first on Illinois News Today.
No comments:
Post a Comment