“Singing Christine’s singing was natural to me. I think it fits my voice well. It feels really good to sing. It’s natural and easy,” she said. say.
Based on Gaston Leroux’s novel, “Phantom” is the story of a transformed composer who haunts the Paris Opera and is obsessed with the innocent young soprano Christine. Lloyd Webber’s gorgeous songs include “Masquerade,” “Angel of Music,” “All I Ask of You,” and “The Music of the Night.”
Kouatchou follows in the footsteps of revered Christines such as Sarah Brightman, Emmy Rossum and Sierra Boggess. But what is important for Kouatchou is that she does not imitate anyone. “I wanted to be Emily as Christine.”
“It’s really liberating to be in a historical drama where you don’t have to inflate, scream, or sound like a suffering young girl. I can sound like me.”
Kouatchou’s Christine is the last of the three main parts of Broadway’s “Phantom” to break through the color barrier. In 2014, Norm Lewis became the first African-American to slip behind the famous mask, and two years later Jordan Donica did it for Raul’s role.
“It feels bad to have taken such a long time,” says Sklar-Heyn. “At this point, we accept the fact that we can do that and look forward to deliberately continuing to expand how and who we see on the stage inside the building.”
Emilie Kouatchou Makes “Phantom” History on Broadway | Illinois News
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