“I’m sitting there listening to it,” he said.
According to Blanchard, OTSL artistic director James Robinson wrote another opera after the first “champion” based on the life of boxer Emile Griffith was premiered in 2013. bottom. When his wife Robin Burgess recommended reading Blow’s memoirs, Blanchard said it struck a chord.
In his book, Blow, now 51, was a shy and sensitive child in the countryside of Louisiana, with four macho brothers, a benevolent child drunk for his father, and a gun. He explains that he grew up in poverty as a warm and hard-working mother. Her purse.
Born in New Orleans, Blanchard said: “I knew a lot about its growth while I wanted to be a musician, walked to the bus stop on the weekends, put on my glasses with my horn, and the other boys were playing soccer on the street. It wasn’t a popular look. “
To write the libretto, Blanchard hired his friend and frequent collaborator, filmmaker Kasi Lemmons. She had never written an opera script, but said she was on the “bucket list” of what she wanted to achieve someday.
“I didn’t know what the normal process was,” Lemons said. “I didn’t even know that the script would go first. I thought maybe the music came first.”
The season begins with the first ever opera by a black composer | National News
Source link The season begins with the first ever opera by a black composer | National News
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