Tom Hardy and Andy Serkis bite into the sequel to “Venom” | Nation

New York (AP) — If there is a widely agreed takeaway 2018 “ Venom” Good things happen when you unleash Tom Hardy.

Adjacent to Sony Pictures’ “Spider-Verse” Marvel World, a darker, slimmer spin-off, not everything worked in the movie. However, “Venom,” led by Hardy’s Jekyll and Hyde’s acting, was able to break out of some of the prescribed rhythms of the superhero movie.

In the most talked-about scene, journalist Eddie Brock (Hardy) is defeated by the alien symbiote who lives in him. Venom has a strong appetite, so in a scene set in a seafood restaurant, Hardy improvised Brock to jump into a lobster tank under Venom’s control. What was supposed to be a background set dresser was rebuilt to support Hardy, creating a decisive moment in the strange and distorted comic book franchise.

“The tone was universally agreed and was the epicenter of the world,” says Andy Serkis, director of the sequel “Venom: Let There Be Carnage.” “That’s exactly the touchstone moment of where we started.”

“Venom: Let the genocide” What Sony releases in theaters on Friday, a year behind for a pandemic, extends the possibilities of the weirdest superhero series. The dominant conflict is not to save the world, but to have a very strange couple in one body. And given that the two main parts are played by the same actor, it’s a comic book movie with the most focus on the actor’s bohemian performance.

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“The thrill is that you can delve into the paradoxes of the human mind and state and play them in the farce superhero action thriller,” Hardy said on the phone from London. “Eddie Block and Venom’s masks are bigger than they really are, but they end up on both sides of the same coin.”

In the credible realm of superhero movies, the first “Venom” was a bit risky. Venom is a relatively marginal Marvel character. According to Serkis, the movie “swims on the dark edge of the Marvel pool.” However, The reviews were not very goodThe movie was a hit and generated $ 856 million in revenue worldwide.

“When it came out, critics didn’t like it-it’s fair enough-and the audience liked it. It worked pretty well enough for Sony to make another. “I did,” says Hardy. “We had to report and wash away and say: What worked here? What didn’t work? What could be better?”

In the sequel, Hardy took more control.In the first “Venom”, the actor said About 30 minutes of scene left on the floor of the cutting room.. This time, he sought to follow the original director Ruben Fleischer, the best-known actor director for his extensive work in motion capture performance. Hardy also reached out to form a follow-up. He and Kelly Marcel (co-author of “Venom”) are famous for the story of the film. Hardy is also a producer and the first person in a feature film for him.

“Putting a hat in the ring is a logical step. I asked Sony, Kelly, and I if I could try pitching the second movie,” Hardy says.

“Let There Be Carnage” will enter the Gothic turn and put the block in the orbit of serial killer Cretus Casaday (Woody Harrelson). Casadai attracts his own symbiotic Carnage and allows him to escape from prison. The sequel is also about Brock and Venom experiencing what Serkis calls “seven years of trouble” in their relationship, both coveting independence. In one scene set in Louis Prima, Venom cooks breakfast for Hardy to cheer him up.

On the set, Hardy usually recedes into the corners to record a pitch modulator-enhanced Venom line. Then the Venom line is played through the earpieces while Hardy is playing as a block. Serkis sees Hardy’s system as “Mesmeric”. For Hardy, acting on herself has become a well-known process.

“I’ve become accustomed to seeing myself as a piece of meat and observing myself from the outside as follows. What do you want to do in your car? OK, Tom isn’t working properly. What Isn’t it working? “Hardy says.

“It may look like schizophrenia, but I’m grateful that it looks angry when I’m doing it,” Hardy adds. “Hopefully it will also appear on the screen. It’s the enthusiastic and manic nature of the person who judges the two personalities.”

For Serkis, who oversees Mowgli: Legend of the Jungle in 2018 and Breeze in 2017 and prepares to adapt George Orwell’s Animal Farm to Netflix, it’s another transformational career. It’s a twist. Motion capture of characters like Gollum in “The Lord of the Rings” and Caesar in “Planet of the Apes” is increasingly attracted to the link between filmmaking and technology.

“What I’m really interested in is the future of storytelling and how it will change in the next 10, 20 or 30 years,” says Serkis. “Now we are standing at a junction. A pandemic has occurred and people have had to see things on a very small screen, but there is no doubt that we will return to what was starting to grow rapidly before the pandemic. . “

Scheduled for release in October last year, “Let There Be Carnage” will be one of the larger releases that will only be released in theaters during a pandemic. After some delays, Sony released a few weeks. “Venom” effectively begins the fall film season, with many paying close attention to its performance.

“Now is definitely the time. There are really moments here as some big movies are showing and they dare to put their heads on the chest wall.”

Follow AP film writer Jake Coil on Twitter. http://twitter.com/jakecoyleAP

Copyright 2021 AP communication. all rights reserved. This material may not be published, broadcast, rewritten, or redistributed without permission.



Tom Hardy and Andy Serkis bite into the sequel to “Venom” | Nation

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