New York (AP) — Consider Aaron Tveit’s last 12 months, even in a crazy year with a lot of ups and downs.
The Broadway star is “Moulin Rouge! A musical when it is suddenly shut down by the coronavirus.” Then he signed COVID-19 himself. He recovered and called for relief efforts, got some famous acting gigs, and was nominated for the first Tony Award.
“It’s hard to make a forecast,” he said. “I think it will take some time and a 25,000-foot view to see what really happened last year.”
After two consecutive hits within the weeks of the show’s closure in March last year, Tveit became one of the first Broadway actors to publicly talk about the COVID-19 deal.
I wanted to say, “Hey, I’m a person who really cares about my health and I want to feel good.” I was basically trying to say, “This can affect anyone. Take this seriously,” he said.
Tveit, 37, suspects he was more ill than he had expected at the time. For several weeks he slept 13 hours a day, but thankfully his lungs were unaffected. “It was like a terrible, terrible sinus infection.”
A few weeks later he relapsed. “When it comes to lasting effects, I think it’s okay,” he said. “I know a lot of people who are really, really suffering, so I’m very lucky to be successful in a case as mild as I did.”
Tveitt evoked the power to support actors who are not working. Joining stars such as Sutton Foster and Jeremy Jordan, he attended a charity concert hosted by Rosie O’Donnell and later sang “Marie Mea Little” to celebrate Stephen Sondheim’s birthday.
“Participation is both very meaningful to me and the message behind it. We can remain a community and learn how to be together in these situations. “He said.
“Moulin Rouge!” Grounded Tveit found a job elsewhere. During the summer, he worked with Laura Osnes on the Hallmark Channel Christmas movie and flew to Vancouver to work on the Apple TV + series “Schmigadoon.”
“Gratitude doesn’t even explain how I feel,” he said of employment. “I think every day because there are so many people who couldn’t work at all. The problem of paying rent, being able to support a family, and being able to pay an invoice-it’s really devastating.”
Tveit’s first big gig was on the “Rent” tour, making his Broadway debut in place of “Hairspray” and “Wicked”. After that, he played three protagonists in “Next to Normal,” “Catch Me If You Can,” and now “Moulin Rouge!”. His films included an adaptation of “Les Miserables” and appeared on television in “Graceland,” “Brain Dead,” and “Grease Live!”.
The brilliant spot in the dark years was “Moulin Rouge!”. The company has won more than 12 Tony Award nominations for its Zoom Toast. “I think our show was the same every year, so I’m very proud of the work we did,” he said.
Tveitt is the only actor nominated for the musical’s best leading actor category for his role as a Christian, which marks his first nomination. As long as 60% of Tony’s voters vote for him in this category, he’s ready to win without objection.
“It’s the wildest thing that works that way, but I’m very grateful and it’s just a recognition of the effort I’ve put into the show,” he said.
Producer Carmen Pavlovic calls Tveit a unique musical actor, whose vocal talent “surprise you” across ballads and all rock numbers.
“I’m excited that he was nominated for his first Tony Award for his performance as well as his work on Moulin Rouge. But Aaron’s career journey at this special moment There is also a huge amount of work to bring, “she said.
Tveit believes Broadway’s closure has a silver backing. Social issues that have not been addressed for a long time are being investigated, with racial expressions on either side of the curtain.
While calling for donations to the National Services Group, The Actor’s Fund, he also defends the Black Lives Matter group, anti-racist organizations, bail relief, and transgender resources.
“I’ve heard a lot,” he said. “I just closed my mouth and listened to everything around me and what people needed and felt, and then tried to see how personally I was helping.”
When Broadway resumes, he hopes that efforts will continue to ensure that everyone, not just friends and nominated people, have equal access to theater work.
“If that means making a focused effort to look beyond the norms for a while, I hope we’ll probably be in a much better place five or ten years from now.” He said.
Mark Kennedy http://twitter.com/KennedyTwits
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