Editor’s Note: When we think Robert De Niro In Italy, the Oscar-winning Corleone turn-in makes it easiest to focus on the Sicilian town of Corleone. The Godfather: Part II.. But De Niro wanted to focus on Naples. Paolo Sorrentino Revived in God’s hand.. De Niro was so impressed that he wrote a deadline guest column on why the film was so impressed by him.
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There are so many great things about God’s hand, Paolo Sorrentino’s rich seijin-shiki story. It’s a very personal movie. Sorrentino wrote and directed, created a surrogate Fabiette from his DNA and experience, and screened the film in his native Naples.
Fabiet’s most prominent co-star is not one of the great casts, but the city itself. Share Solentino’s love for Naples with the opening beauty shot of an aerial approach across the Gulf of Naples to the city. And look at it with his love for different characters: eccentric, often very entertaining, bigger than life, passionate (ie I’m loud), full of joy and hope. I’ve only been to Naples a few times, but for me this movie has a lot of pictures of Martin Scorsese (The Wolf of Wall Street, Bringing the Dead, Mean Street, Taxi Driver, Etc.) and many of Woody Allen’s films (Annie Hall, Broadway Danny Rose, Manhattan, Etc.) I feel New York City in essence. Naples is, in many ways, reminiscent of my beloved Italian-American New York.
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The location in southern Italy is suitable for Solentino storytelling. He states: “Reality is just the starting point of the story. It must be reinvented. Here in Naples, there is a fun way to reinvent the memory.” Despite the tragedy at the literal center of the movie. God’s hand It’s full of fun. Scenes like extended family outdoor lunches and subsequent boat tours are very fascinating and entertaining. And while the central story is that Fabiet is torn from the unstable youth and dragged into premature and unwelcome adulthood, the story along the way is valuable. For example, Armà, cigarette smugglers / small foods / violent hooligans / supportive friends, and ultimately prison birds. Weird, yes, but completely believable to me because of my own experience in New York City as a kid.
And then there’s Capuano (the real Antonio Capuano, the famous Naples director, has become a young Sorrentino mentor).In a wonderful scene near the end God’s hand, Fabiet begs Capuano to give instructions. Capuano alternately asks him questions, offends him, and their voice rises almost musically. It’s like a scene from a grand opera performance. Fabiet tells him: The reality is poor. That’s why I want to make a movie. He wants to go to Rome to break into the movie. Capuano yells at him. Do you know how many stories there are in this city … see! … Is it possible that this city will not inspire you at all? … Is there a story to tell? Find guts to convey it! … spit it out! “
Fabiet goes to Rome anyway. When the movie is over, he’s on the way. And now – 35 years later – Solentino has returned to Naples by the hand of God. Vabene. Mill Grazie, Paolo!
Reminiscent of Italian-American New York, where Robert De Niro says Naples in “God’s Hand” – Deadline
Source link Reminiscent of Italian-American New York, where Robert De Niro says Naples in “God’s Hand” – Deadline
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