New York (AP) — Filmmaker Cary Joji Fukunaga has seen James Bond’s biggest film in his career, No Time to Die, arrive in theaters for more than a year and a half. I was waiting. It was a strange and surreal wait. Billie Eilish’s movie theme song has already won a Grammy Award a few months before the significantly delayed movie was released on October 8.
“I had a dream that Sam Mendes was there last night,” Fukunaga said in a recent interview, referring to the directors of the two previous Bond films. “We were on vacation in a frozen lake. He ended up with a Bond movie. And he said,” Oh, you’re done. Now you’re taking a break. “And then frozen. I started water skiing at the lake. “
“It was a strange dream,” says Fukunaga.
The fall movie season — usually reliable rhythms and soothing fall comfort — is a bit confusing, as much of the last 18 months. Along the way, there are “007 / No Time to Die” scheduled to be released until April 2020, a summer movie aimed at better autumn conditions, and a pandemic filmed and edited movie.
The united is the movie Mish Mash. It’s a lot more robust than last fall’s cobblestones, and it’s mostly a virtual fall movie season. This season lasted until Oscar in April. However, the recent increase in COVID-19 cases with delta variants adds new uncertainty to the times when Hollywood once wanted to approach normal.
Tom Rothman, Chairman and Chief Executive Officer of Sony Pictures, said: “This is the exact opposite of the previous method. In the olden days you flagged and didn’t move because of hell or high water. Now there’s a big premium to being very flexible and agile. . “
The unpredictability of the situation is universally shared, but I strongly feel that studios like Sony continue to focus solely on theatrical releases, even in the event of a pandemic. Disney (with Disney +) and Warner Bros. (with HBO Max) have sought to hedge their bets and increase their streaming service subscribers with the 2021 date and date release, but Sony, Universal, Paramount, MGM (Bond’s home) — using different windowing strategies — most stick to theater-first plans.
“The Last Duel” (October 15), “Dunes” (October 22), “Eternals” (November 5), “House of Gucci” in all films released this fall Gucci “(November 24th) and so on. Nothing may be more tense than the old-fashioned drama about watching a movie in the ass. Citing the Delta-led surge, Paramount has taken root from the season and launched Top Gun: Maverick next year. However, following some promising box office results, many of the fall’s top film and major Oscar aspirants have only doubled the theater and its associated cultural impact. Even if it’s gambling.
After gaining confidence in watching movies during the summer, Delta took some of Hollywood’s momentum. The National Research Group records that more than 80% of movie fans were able to comfortably go to the theater in July. However, that number fell to 67% last month.
However, Marvel’s “Legend of Xiangqi and Tenling,” the last blockbuster movie of the summer, saw a huge rise in the fall, with estimated ticket sales of $ 90 million over the four-day Labor Day weekend. This is a pandemic. In particular, it was only played in theaters. Rothman and Sony have pushed ahead with the release of the $ 856 million superhero hit sequel, Venom: Let There Be Carnage, in the two weeks leading up to October 1, even before all the numbers are out. rice field. This launches Sony’s slate, including Jason Reitman. “Ghost Buster: Afterlife” (November 19th), Denzel Washington’s “Jordan’s Journal” (December 10th), “Spider-Man: Noway Home” (December 17th).
We can hardly expect that the debate about the future of cinemas will be resolved soon.
“I don’t think we can predict what the future of the film will be until the pandemic is really behind us,” says Rothman. “Currently, we are still in an emergency.”
So Hollywood summer extends to limbo. But there are more movies lined up than at any point in the pandemic so far. The Venice and Telluride Film Festival will be a hot topic in a variety of upcoming films, including Jane Campion’s acclaimed Netflix drama The Power of the Dog (November 17) and Benedict Cumberbatch. is. The Oscar race may also have some major star powers. Some of the early masterpieces were Kristen Stewart as Princess Diana in “Spencer” (November 5th) and Will Smith as Venus and Serena’s father Richard Williams in “King Richard” (November 19th). I have Smith.
Hopefully Steven Spielberg’s “West Side Story” (December 10th), Wes Anderson’s “French Dispatch” (October 22nd), yes, “I have no time to die” — it’s finally over.
“What I didn’t get from this was that other people were happy to see the movie and say they didn’t like it or liked it,” says Fukunaga. “That’s the part you’re waiting for. Some people will like it. Some people won’t like it. But you still want to hear it. You don’t want to hear it. I want to ask. “
Follow AP film writer Jake Coil on Twitter. http://twitter.com/jakecoyleAP
Copyright 2021 AP communication. all rights reserved. This material may not be published, broadcast, rewritten, or redistributed without permission.
Fluid Autumn Movie Season (Like Everything else) | Nationwide
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