Jenny Beavan There was a very detailed description of the dress she needed to create CruellaBut the challenge was to make them credible. “I tried to give reality to some dresses, so it was crazy but born of some kind of reality. If you believe it to some extent, you’ll enjoy it more. They will connect more. Balance. was.”
Cruella I’m following a young woman named Estella who dreams of becoming a fashion designer. When she manages to land her dream job designed for Baroness (Emma Thompson), Estella soon becomes convinced that she is more valuable in her life. Taking over Cruella’s persona, she becomes a rival to the Baroness with a rebellious fashion sense.
Below, Jenny Beavan talks about two inspirations and designs. CruellaIconic dress.
Limousine dress
Illustration by Tom Botwood
“One of my great memories of the late 60’s and early 70’s was the use of military jackets,” says Bevan. “I was a security guard jacket, wore it with jeans or a big skirt. When she stepped into the car, a combination of a soft, flowing skirt and a military jacket. I thought it was a great image to use.
The skirt had to be just the right weight, so A, she could walk in it, B, she could swing it, and it would land in the right place. Therefore, logistics was involved.
Sewing, gluing, pasting, and everything, especially [this dress].. It all had the most ridiculous amount of petals sewn by hand.
But visually, I really wanted an image of the army and softness, so I put her in Dr. Martens boots. I remember the kneeling Dr. Martens being strapped. That’s a great image. I felt it was right that someone was trying to claim. She certainly did. “
Dumpling dress
Illustration botwood by them
“This is the third photo bomb when the dump truck retreats while the unfortunate Baroness is about to give a speech. The original script states that it was Baroness’ Spring 1967 collection. [Cruella]I managed to get the train and get on. That is why it has spring and pale colors. And the newspaper clearly says she’s in a dump truck and wants trash. But she had to be able to step on the back of the truck and grab it.
Everything was put together by the amazing Kirsten Fletcher, an Australian cutter maker known for wearing great clothes. Fortunately I practiced in a very large work room, put in one of the cutters and had her walk across the floor to see if it worked. And it did. So it’s really incredibly simple in practice. A very long calico with lots of props and lots of cloth attached. “
“Cruella” Costume Designer Jenny Beavan – Deadline
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