Paris (AP) —Kim Jones’ name dominated Parisian fashion for two weeks as the indomitable Briton designed for Dior Men’s returned to the runway for Fendi’s latest couture collection.
It’s not easy to follow in the footsteps of the late Karl Lagerfeld with the creative steering of a Roman house, but Jones once again incorporated his contemporary sensibility into a rich design, leading the city of eternity.
It created another clever display.
The highlights of the final day of the Spring 2022 Couture Collection are:
Fragments of architecture illuminated by incandescent lamps were hung on a dark runway inside the neoclassical Bronniard Palace. On top of that, when I added it to the drama, a huge sphere made of white light floated. According to Jones, this was the realm of “Rome of Heaven”, but not as we know it. It was reinterpreted with his irreverent eyes.
The inspiration for this season was mediocre enough. Jones took a walk to work in the Fendi Atelier in Rome. There he passed through historic buildings and arrived in a modern environment. Still, the design was something else. With a futuristic and highly sensual vision, he explored the juxtaposition of “statue-like marble” and “the aesthetics of ecclesiastical politics.”
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The model walked towards the flash of strobe light, with a smooth effect, suggesting that it had just been forged by a heavenly seamstress. The design was smooth as well.
The shimmering black gown with turtleneck and cap is a model with a beaded string, reminiscent of a priest’s cassock. He tore his skirt, exposing his legs and provocatively turning his head down. This was a kind of fallen angel.
Elsewhere, the black silk gown, whose embroidery shined like armor, looked partly like a princess of heaven and partly a warrior. The model clasped a handbag that resembled a royal jewel and a spikeball weapon. Duality was a thrilling guest with great fashion staging, including Noomi Rapace, the “Prometheus” star who applauded from the front row.
Due to this bold couture take, religious images were scattered on the Duchess’ silk and organza, fused with an inch of exposed flesh.
Charles de Villemorin Spy
Halloween came early for the mysterious Charles de Bilmorin.
The French designer, who gained fame after announcing the Couture collection in April 2020 and was soon appointed as the creative director of Rochas, was inspired by Deswalds this season. If the term is unfamiliar, the house kindly explained that it is based on a medieval legend that suggests that you can never escape the Grim Reaper. Properly, Tim Burton, director of Beetlejuice, worked with designers this season to create a deadly effect using de Vilmorin’s distinctive puffy silhouette and hand-painted artwork. I was recruited to create a couture display.
The enveloping blood-red satin gown of the devil’s stage make-up model was adorned with a shrunken skeleton — reminiscent of the final scene of the 1988 movie classic.
Reminiscent of medieval dresses, the puffy silk-bottoms ending at the knees reminded me of the image of an Italian theater. The model in ballet shoes had red off-quilter air on her cheeks and was eerily illuminated by chiaroscuro.
Still, styles could turn into pure theatrical performances, such as blue bonnet feather hoods and gauche fringed jackets.
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Kim Jones returns to the runway as Fendi channels the celestial Rome | Lifestyle
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