Paris (AP) — Dior has taken over the iconic Place de la Concorde in Paris to the men’s wear show on Friday. The theme is nothing but the city of Paris itself.
Inside the annex, the editor joined the front row, including Naomi Campbell, and marveled at the magnificent decoration of the heritage home. It created an almost life-size Parisian bridge underneath fake birds and fake water through a plasma screen for a 15-minute collection.
Here are some highlights of the men’s wear display for Fall / Winter 2022.
Paris Fashion Week is back from a virus-induced sleep. At least that’s what some front-row fashion editors said when they saw Dior elaborately rebuilding the Pont Alexandre III. There is a giant three-dimensional statue of a golden bronze horse and a nymph holding a staff member whose model had to hide underneath. Millions of dollars like this weren’t seen by the seasons.
In pastel colors reflecting winter mornings, the model meandered over the view of Paris, past the iconic image of the Pont Neuf and by the Musée d’Orsay. A recording of house founder Christian Dior on the meaning of fashion echoed around the hall. ..
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In terms of fashion, the beret (a typical Gallia symbol) made a fall-winter comeback for British designer Kim Jones. This normally loose Parisian classic is rethought in a structured way, reminiscent of the tailoring of Savile Row in London, the birthplace of Jones. This was one of many examples of Dior’s Parisian style with a subtle British twist.
Seventy-five years after Dior’s “New Look” changed fashion in 1947, Jones said he delved into the archive to tackle original house styles such as the bending bar jacket. Here for men, the silhouette of the bar has been transformed into a very English style, deliberately unfriendly and loosely tailored with a Glen plaid-like pattern. Such tailored styles were never buttoned, but they were inspired by the street atmosphere — gray sneakers with messy laces, or white pants with elastic hem.
British actor Lucien Laviscount, one of the stars of the television hit “Emily in Paris,” dressed in Jones to attend the house men’s wear show at Place de la Concorde, “dripping into Dior.” I felt like I was falling. “
New from the success of his role as a love concern in Season 2, British banker Alfie Laviscount said that visiting Paris for Fashion Week was “my feet not touching the ground.” Meaning. This is my second time in Paris. I am humble and honored to be back. “
Speaking as he saw the iconic Parisian bridge decoration and almost as excited as the journalist interviewing him, he could say, “Wow … this is Lucian in Paris!”
It remains a fascinating mystery as to whether Yorkshire-born actors will return to Season 3. “Am I coming back? … we’re talking,” he said.
Invitation art
The era of email and growing environmental awareness do not seem to leave a significant mark on the fashion industry’s outdated invitation system. Seasonally, petrol-intensive courier companies roam Paris in all directions, personally delivering elaborate, often handmade show invitations.
Top House is competing for the most wacky or most imaginative ideas that often provide clues about the theme of the runway collection.
Details of Jill Thunder’s show are printed on a giant white balloon hidden inside a box, and Loewe’s invitation, a 3-meter pink silk satin ribbon, dramatically unfolds from a small metal cylinder. Was done.
Still, Louis Vuitton was probably the most original of the men’s wear season. There are colorful toy twin woodpeckers on the pole, and a house monogram from top to bottom. It symbolized the childhood obsession of the late Virgil Abloh, who died in November.
Paul Smith’s cinematic fashion
At the heart of the fall / winter exhibition of fashion icons has been the evolution of cinema from the black and white era to technicolor and ending with modern films.
Film musement was the starting point for a 75-year-old British designer who had a reputation for bold colors, such as the fluorescent pink flagship store in Los Angeles.
Monochrome nickel gives the loosely tailored double-breasted coat a beautiful, lustrous quality, reminiscent of the prewar cinematic era. Sepia, a reddish-brown shade associated with the black-and-white images of early movies, was evoked by printed, rugged corduroy, and the emerald-green leather jacket reminded us of the beginning of technicolor.
Still, in many of the other designs shown on Friday, the movie theme felt a bit lost.
Copyright 2022 AP communication. all rights reserved. This material may not be published, broadcast, rewritten, or redistributed without permission.
Dior Rebuilds Paris at Spectacular Fashion Week Show | Lifestyle
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